9th International Symposium “Music in Society”, Sarajevo, 23-26 October, 2014. PRELIMINARY SCHEDULE AND PROGRAM

FRIDAY, 24th October

Musicology – first session
10-11,30

Lana Paćuka (Bosnia and Herzegovina) “PALE OF HOPES”: FRAGMENTS FROM THE MUSICAL LIFE OF WARTIME SARAJEVO (1914-1918)

Lada Duraković (Croatia)
MUSIC AT DAYBREAK OF THE BIG WAR: PULA 1914

Marijana Dujović (Serbia)
ACTIVITIES OF ORCHESTRA ‘MUZIKA KRALJEVE GARDE’ DURING THE FIRST WORLD WAR

Manfred Heidler (Germany)
“UNDER THE DOUBLE-HEADED EAGLE” – NATIONAL IDENTITIES IN THE MILITARY MUSIC OF AUSTRO-HUNGARY

Ethnomusicology – first session
10-11,30

Mojca Kovačič (Slovenia)
IMPACT OF THE FIRST WORLD WAR ON THE SOUNDSCAPE

Jakša Primorac (Croatia)
INTRIGUING SONGS OF JOSIP ŠIROKI FROM 1910S

Marko Kölbl (Austria)
“NE DAJTE ME, MAJKO, NİMCU NİTİ UGRU”
CROATİAN HERİTAGE İN THE AUSTRO-HUNGARİAN BORDER REGİON

Music pedagogy – first session
10-11,30

Refik Hodžić (Bosnia and Herzegovina)
MUZIČKO ŠKOLSTVO U SJEVEROZAPADNOJ BOSNI ZA VRIJEME AUSTROUGARSKE UPRAVE

Senad Kazić (Bosnia and Herzegovina)
UTJECAJ METODIČARA NJEMAČKOG GOVORNOG PODRUČJA POČETKOM 20. STOLJEĆA NA RAZVOJ MUZIČKE TEORIJE I PEDAGOGIJE U BIH (I ŠIRE)

Marijo Krnić (Croatia)
PEDAGOGICAL COMPETENCES IN HIGHER EDUCATION CURRICULUMS OF VOCAL TEACHERS IN COMPARATIVE PERSPECTIVE

Valida Akšamija – Tvrtković (Bosnia and Herzegovina)
CJELOŽIVOTNO UČENJE KAO PROCES I OBAVEZA U MUZIČKOM ODGOJU I OBRAZOVANJU

Musicology – second session
12-13,30

Ivana Tomić Ferić / Vito Balić (Croatia)
THE POLITICAL REPERCUSSIONS OF THE AUSTRIAN GOVERNANCE IN THE MUSICAL LIFE OF SPLIT

Marina Bazina (Bosnia and Herzegovina)
MUSICAL AMATEURISM IN MOSTAR – END OF 19TH AND THE BEGINNING OF 20TH CENTURY

Biljana Milanović (Serbia)
MAPPING THE PERIPHERY OF THE WESTERN MUSICAL WORLD: THE BELGRADE CONCERT LIFE AROUND 1914

Srđan Atanasovski (Serbia)
SERBIAN FAMILIES’ MUSIC ALBUMS AND HOME MUSIC-MAKING ON THE EVE OF THE GREAT WAR AND BEYOND

Jernej Weiss (Slovenia)
»WITH SLAVA’S BANNER, FORWARD!« BY DAVORIN JENKO (1835-1914): BETWEEN AN IMPERIAL HYMN AND A PAN-SLAVIC MARCH

Ethnomusicology – second session
12-13,30

Vesna Ivkov (Serbia)
SEVDALINKA IN THE PERFORMING PRACTICE OF ACCORDIONISTS IN SERBIA

Danka Lajić Mihajlović (Serbia)
THE INSTITUTIONALIZATION OF THE PRACTICE OF SINGING WITH THE GUSLE IN THE TWENTIETH CENTURY AND ITS MUSICAL CONSEQUENCES

Nice Fracile (Serbia)
THE MAGICAL SOUND OF THE TARAGOT – IN THE PAST AND NOWADAYS

Music pedagogy – second session
12-13,00

Snježana Dobrota (Croatia)
THEORETICAL MODELS OF MUSICAL PREFERENCE: IMPLICATIONS FOR MUSIC PEDAGOGY

Jelena Martinović – Bogojević (Montenegro)
METHODOLOGICAL APPROACHES IN WRITING EXERCISES FOR BASIC PIANO TEACHING

Davorka Radica / Jelica Valjalo Kaporelo (Croatia)
KORALI J.S. BACHA KAO SMJERNICE GRADNJE HORIZONTALNOG I VERTIKALNOG GLAZBENOG MIŠLJENJA U NASTAVI HARMONIJE

Musicology – third session
15,30-17,00

Tijana Popović Mladjenović (Serbia)
THE POLITICALLY MOTIVATED THEMATIZATION OF NATIONALITY IN DEBUSSY’S WARTIME COMPOSITIONS

Alberto Nones (Italy)
MUSIC AND WAR: THE CASE OF TRENTINO COMPOSER RICCARDO ZANDONAI, 1914–1944

Nuša Hauser (Croatia)
THE SMAREGLIA CASE – FROM THE LETTERS OF THE ESTATE OF ANTONIO SMAREGLIA

Alma Zubović (Croatia)
IVO MAČEK’S PROFILE AS A COMPOSER (1914-2002)

Katarina Mitić (Serbia)
VOJISLAV KOSTIĆ – COMPOSER/DIRECTOR/WRITER/CHOREOGRAPHER? (FOR THE EXAMPLE FOR FILM AND BALLET WHO IS SINGING OVER THERE?)

Ethnomusicology – third session
16-17,30

Ali Fuat Aydın (Turkey)
THE MELODİC AND RHYTHMİC CHARACTERİSTİCS OF ZEYBEK MUSİC İN MİLAS, TURKEY

Timkehet Teffera (Germany)
POSSESSION RITUALS AND MUSIC: THE CASE OF THE ZAR CULT IN ETHIOPIA

Lejla Džambazov (Bosnia and Herzegovina)
TRADITIONAL MUSIC OF KRALJEVA SUTJESKA AS PART OF CUSTOMS AND PRACTICES

Music pedagogy – third session
15,30-16,30

Goran Sučić / Ivana Balić (Croatia)
ZASTUPLJENOST TRADICIJSKE KULTURE U PREDŠKOLSKIM I OPĆEOBRAZOVNIM USTANOVAMA

Vedrana Marković (Montenegro)
EXAMPLES OF MONTENEGRIN MUSICAL HERITAGE AS INSTRUCTIVE EXAMPLES IN TEACHING SOLFEGGIO

Sanja Raljević Jandrić (Bosnia and Herzegovina)
THE ROLE OF MUSIC IN THE SOCIAL INCLUSION OF ROMA POPULATION

Musicology – fourth session
17,30-18,30

Senka Hodžić (Bosnia and Herzegovina)
FROM PARTISAN PROPAGANDA TO SOCIALIST REALISM: IDEOLOGICALLY INSPIRED WORKS OF MIROSLAV ŠPILER

Ana Petrov (Serbia)
“THE SERBS ALWAYS FORGET”: WAR REMEMBRANCE AND GIVING CONCERTS IN BELGRADE AFTER THE BREAKUP OF YUGOSLAVIA

Esma Sulejmanagić (Bosnia and Herzegovina)
EXAMINING THE MUSICOLOGIST ROLE IN GROWING FESTIVAL CULTURE: SARAJEVO EXPERIENCE

Theory of music – first session
17-18,30

Naida Hukić (Bosnia and Herzegovina)
ELEMENTS OF NEOCLASSICAL HARMONY IN MIROSLAV ŠPILER’S „OBSESSION“

Gordana Grujić (Bosnia and Herzegovina)
SPECIFIC CHARACTERISTICS OF HRISTIC’S COMPOSITIONAL STYLE IN OPELO B- flat minor

Amra Bosnić (Bosnia and Herzegovina)
CONCEPTS OF MAKING MAK’S SONGS TO SOUND: KAMENI SPAVAČ AND MODRA RIJEKA

 

 

SATURDAY, 25th October 

Theory of music – second session
10-11,30

Nerma Hodžić Mulabegović (Bosnia and Herzegovina)
TRANSFER OF THE ANCIENT HERITAGE TO THE WESTERN EUROPEAN MUSICAL THEORY – FORMATION AND ORDER OF MEDIEVAL SCALE

Svetlana Stojanović Kutlača (Serbia)
FROM MERSENNE TO RAMEAU: SOCIAL INNOVATION AND TRANSFORMATION OF NOTION “HARMONY” IN FRENCH XVII-XVIII CENTURY SOCIETY

Marko S. Milenković (Serbia)
TWO-VOICE INVENTION IN B MAJOR BY JOHANN SEBASTIAN BACH PREPARATION FOR THE FUGUE OR AN ARTISTIC GENRE?

Valerija Kanački (Serbia)
SYMPHONISM – BETWEEN THEORY AND PRACTICE

Ana Perunović Ražnatović (Montenegro)
FORMAL CONCEPTION OF THE BEETHOVEN’S LATE QUARTETS

Panel session

10-11,30 

MURKO’S RESEARCH FROM AN AUSTRIAN AND BOSNIAN-HERZEGOVINIAN PERSPECTIVE
Gerda Lechleitner (Vienna, Austria), Tamara Karača Beljak (Sarajevo, Bosnia and Herzegovina), Jasmina Talam (Sarajevo, Bosnia and Herzegovina)

Music pedagogy – fourth session
12-13,30

Jasmina Bećirović-Karabegović (Bosnia and Herzegovina)
THE REPRESENTATION AND IMPORTANCE OF MUSIC ACTIVITIES IN THE INTEGRATED TEACHING OF PRESCHOOL CHILDREN

Sabina Vidulin (Croatia)
REFORME ODGOJNO-OBRAZOVNOG SUSTAVA U HRVATSKOJ I ODJECI NA GLAZBENU NASTAVU U OSNOVNOJ ŠKOLI

Merima Čaušević / Mirsada Zećo (Bosnia and Herzegovina)
MUZIČKA RADIONICA U FUNKCIJI ESTETSKOG ODGOJA

Ivana Gojmerac (Bosnia and Herzegovina)
MUZIKA I POKRET U ŽIVOTU OSOBA SA POSEBNIM POTREBAMA

Panel session

12-13,30 

THE TRANSFORMATION OF POPULAR MUSIC AFTER THE DISSOLUTION OF SOCIALIST YUGOSLAVIA – INSIGHTS FROM BOSNIA AND HERZEGOVINA AND SLOVENIA
Ana Hofman (Ljubljana, Slovenija), Rajko Muršič (Ljubljana, Slovenija), Amra Toska (Sarajevo, BiH), Fatima Hadžić (Sarajevo, BiH)