The Collection of Papers “Music in Socety”, 2004.

THE 4TH INTERNATIONAL SYMPOSIUM

“MUSIC IN SOCIETY”

Sarajevo, October, 28-30, 2004

“MUSIC IN SOCIETY”
THE COLLECTION OF PAPERS

ISBN 9958-9591-6-X

Publisher: Musicological Society of FB&H

Academy of Music in Sarajevo

Sarajevo, 2005

Editors: Tamara Karača, Senad Kazić

 

CONTENTS

FOREWORD / 9

Musicology

WHAT IS MUSIC? SOME CONTEMPORARY VIEWS ON AN OLD TERMINOLOGICAL DILEMMA Nikša Gligo / 11

MUSIC AND SOCIETY FROM THE MUSICOLOGICAL POINT OF VIEW: FROM SEMIOTICS TO THE CULTURAL STUDIES Tatjana Marković / 20

DANKO GRLIĆ: ABDICATION OF MUSIC SUBJECT Fatima Lačević / 26

IS AESTHETICS OF MUSIC TRULY DEAD? Ivan Čavlović / 34

“TECHNOCULTURAL MUSICOLOGY” – THE POSIBILLITIES OF TRANSPOSING CERTAIN TECHNOCULTURAL METAPHORS INTO THE STUDY OF RECENT ELECTROACOUSTIC MUSIC Vesna Mikić / 41

ISTRIAN TONE ROW: FROM FOLK TUNES TO ATONAL STRUCTURE Mirjana Veljović / 46

THE CREATION OF A SOCIALIST SOCIETY: THE FUNCTION AND IMPORTANCE OF CHILDREN’S CHOIRS IN THE FIRST POSTWAR DECADE IN SERBIA (1945–1955) Slavica Stefanović / 77

A CRY FROM THE TROMBONE: VINKO GLOBOKSR WILL BE DISCUSSED Dragana Stojanović Novičić / 90

BOŽIDAR KUNC AS COMPOSER IN THE MIRROR OF THE REVIEWS AND CRITICISM OF HIS OWN TIME Rozina Palić Jelavić / 97

 

Musicology in B&H

MUSICAL INSTRUMENTS IN BOSNIA AND HERZEGOVINA AT THE TIME OF THE OTTOMAN ADMINISTRATION Alma Zubović / 106

CONTROLLING SOUND AND MUSIC: ASPECTS OF MUSICAL LIFE IN SARAJEVO UNDER AUSTRO-HUNGARIAN RULE (1878–1918) Risto Pekka Pennanen / 114

ASSOCIATIONS OF SINGERS IN BOSNIAN KRAJINA Refik Hodžić / 126

MLADEN POZAJIĆ’S WORK AS A COMPOSER Marija Riman / 136

THE SARAJEVO EPOCH OF THE SLOVENIAN TENOR SINGER POLDE POLENC (1912–1974) Franc Križnar / 156

HOW MEDIA CONSIDER THE POPULAR MUSIC FROM THE COUNTRIES OF FORMER YUGOSLAVIA Vesna Andree Zaimović / 166

IN THE QUEST FOR CRITICAL CONSCIOUS: REFLECTIONS ON MUSICAL CULTURE IN BOSNIA AND HERZEGOVINA AROUND 2004 Amila Ramović / 171

 

Ethnomusicology

THE FUTURE OF ETHNOMUSICOLOGICAL FIELDWORK Timothy J. Cooley / 180

IS THERE FOLK MUSIC PEDAGOGY? Dimitrije Golemović / 189

TRANSCRIPTION IN ETHNOMUSICOLOGY: FOR AND AGAINST Milorad Kenjalović / 203

THE DESTINY OF THE ONE LEGACY. COLLECTION OF MAGNETOPHONE TAPES “RIHTMAN” Tamara Karača Beljak / 209

THE INFLUENCE OF BOSNIA AND HERZEGOVINA FOLK MUSIC ON CREATING REPERTOIRE AND PERFORMING OF THE ACCORDION PLAYER SRBOSLAV IVKOV Vesna Ivkov / 215

RELATIONSHIP BETWEEN METRIC BASIS AND STROPHE ON THE EXAMPLE OF SINGER HAMDIJA ŠAHINPAŠIĆ Munib Maglajlić / 223

ILAHIJA IN BOSNIA IN CORRELATION WITH LOCAL AND FOREIGN MUSICAL PRACTICES Maja Baralić-Materne / 232

HISTORICAL BACKGROUND OF STRINGED INSTRUMENTS OF LONG-NECKED LUTE TYPE IN BOSNIA AND HERZEGOVINA Jasmina Talam / 236

STYLES OF VOCAL MUSIC AMONG NATIONS OF BOSNIA AND HERZEGOVINA Miroslava Fulanović Šošić / 242

PSYCHOLOGICAL ASPECTS OF NEWLY COMPOSED FOLK MUSIC IN BOSNIA AND HERZEGOVINA Sanja Raljević / 247

 

Music pedagogy

MOTHER TONGUE – THE GAME Nada Ivanović / 257

MUSIC ASSESSMENT IN THE PROCESS OF CHILD’S MUSICAL AND PERSONAL GROWTH Barbara Sicherl-Kafol / 265

IMPROVISATION IN THE FOCUS OF MODERN SOLFEGGIO (EARTRAINING) Senad Kazić / 271

STUDENTS’ PSYCHOLOGICAL PREPARING FOR THEIR PERFORMANCE Miradet Zulić / 279

CREATIVE TEACHING MODELS – APPLICATION IN MUSIC EDUCATION Selma Ferović / 284

POWER POINT PRESENTATION IN TEACHING MUSIC CULTURE Valida Tvrtković Akšamija / 298